情感的描繪

藝術(shù)家西爾維亞邦巴(Sylwia Bomba)的《藝術(shù)家的解剖學指南》(The Artist's Guide to The Anatomy of The Human Head)展示了如何將角色的情感融入到生活中。

"The Artist's Guide to the Anatomy of the Human Head" artist Sylwia Bomba demonstrates how to bring a character's emotions to life with small details...

步驟1:主要形狀

在開始的時候，我們需要了解我們想要交流的是什么，然后分析我們將如何去做。首先，用細微的筆刷勾畫出主要形狀。我想把重點放在她的表情上，所以這是我在主要形狀之后畫的第一件事。通過她的隱形線條，我想把觀眾的眼睛吸引到小蜻蜓。 然后，我清理我的筆觸。

Step 1: Main shapes

At the beginning we need to understand what we want to communicate and then analyze how we're going to do it. First of all, I sketch the main shapes with subtle brushes. I want to focus on her expression, so this is the first thing I draw after the main shapes. Through the implied lines of her cloak I want to draw the viewer's eye toward to the little dragonfly. Then, I make a clean up of my brush strokes.

步驟2:基本顏色

現(xiàn)在，在清理干凈后，我準備先畫基本的顏色。我用暗色的背景來強調(diào)場景的戲劇性。正如你所看到的，我只用了三種類似的溫暖的膚色。她的臉被更冷的光線照亮，形成了一些對比，吸引了觀眾的注意。她的左手是故意大一點；由于透視，它更接近觀眾。

Step 2: Basic colors

Now, after the clean up I am ready to paint first basic colors. I use dark tones for the background to emphasize the drama of the scene. As you can see, I've used just three similar, warm skin tones. Her face is illuminated with colder light to create some contrast and draw the viewer's attention. Her left hand is a bit bigger on purpose; due to the perspective it's closer to the viewer.

步驟3:更多的細節(jié)

我開始在她的臉上添加更多的細節(jié)，并定義更好的蜻蜓。我的主要目的是通過她的表情來展示她的靈魂，所以我在她的眼睛上加了一點光來表示眼淚。她眼睛周圍的紅腫暗示著她以前可能哭過一段時間。有時小的差異和瑕疵會很吸引人——所以我在她的牙齒上加了一點空隙。

Step 3: More details

I start to add more details on her face and define better the dragonfly. My main purpose is to show her soul through her expression, so I add a bit of light on her eyes to suggest tears. The redness around her eyes suggests she might have been crying a short while before. Sometimes small differences and blemishes can be appealing - so I add a little gap in her teeth.

第四步:定義

我繼續(xù)在她的臉上和頭發(fā)上定義細節(jié)。我又在她的斗篷里畫了一下，試著去理解代表她純潔形象的最好的方法。她的小下巴上有一種幾乎看不見的小淚珠，可以幫助她強調(diào)自己的情感。她眼睛周圍的一些暗色調(diào)會讓她看起來有點累，可能還沒洗。因為孩子們沒有太多的皺紋，所以我試著讓她的前額肌肉變得更緊。

Step 4: Defining

I continue defining the details on her face and her hair. I sketch in her cloak again and try to understand the best way to represent her innocent image. A small, almost invisible tear on her little chin will help to emphasize her emotions. A few dark tones around her eyes will make her look a bit tired and maybe unwashed. Since kids don't have many wrinkles, I tried to make her forehead muscle tenser than would be in reality.

步驟5:最后的觸動

所有的步驟都是關(guān)于在添加和刪除細節(jié)之間找到一個和諧。我總是試著用“少意味著多”的方法。我模糊了她的左手，在陰影中給人一種深刻的印象，在她的臉上增添了更多的對比和光芒。她額頭上的陰影創(chuàng)造了一些神秘，也暗示著一個更大的環(huán)境。我不想展示所有的東西，只是提些小建議。她的臉有更多的細節(jié)和筆觸，只是因為它應該是我們肖像的焦點。

Step 5: Final Touches

All the steps are about finding a harmony between adding and removing details. I always try to apply the method of "less means more." I blurred her left hand in shadow to give an impression of depth and added more contrast and light on her face. The shadow on her forehead creates some mystery and also implies a greater environment. I didn't want to show everything but just make small suggestions. Her face has more details and brush strokes just because it should be a focal point of our portrait.