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“維多利亞時代的巫女”制作過程

大型場景原畫古寺廟系列教程 觀看預(yù)覽

大型場景原畫古寺廟系列教程

包含17節(jié)視頻教程
關(guān)注12.3萬

這套教程融合了風(fēng)格君老師工作6年以上的場景插畫經(jīng)驗,是一套完整的不可多得的場景原畫設(shè)定課程。課程從設(shè)計核心技術(shù),到使用的各個技巧都有面面俱到。詳細(xì)的講解了我們?nèi)绾蝿?chuàng)作一副場景原畫設(shè)定。不僅僅有教你怎么畫,還有教你怎么進(jìn)行創(chuàng)作,是一部非常超值的課程,沒有之一。

關(guān)閉

 

 

 

介紹
Introduction

 

有了這件作品,我正在尋找喜怒無常的東西。 我想要一件混合了一些不祥之物的東西,然后我想出了一個讓維多利亞時代有點巫毒氣味的想法。 當(dāng)我決定要繪畫的時候,我把一個隨機的顏色層放下來,因為對顏色的處理更容易。 過了一會兒,一張白色的帆布看起來有些苛刻。 我在Photoshop中使用了詳細(xì)的草圖將所有內(nèi)容全部畫出來,以使我的想法變得簡單(圖01)。 當(dāng)然,如果我發(fā)現(xiàn)其他東西看起來更好,或者能夠更好地工作,我知道事情可能會有所改變。

 

With this piece I was going for something moody. I wanted a piece that mixed something foreboding with something a little sweet, and I came up with the idea of paring Victorian fashion with a bit of voodoo flavor. After I decided what I wanted to paint, I put a random color layer down because it's easier for me to work on color. A white canvas is a bit harsh to stare at after a while. I drew everything out with a detailed sketch in Photoshop to get my ideas down (Fig.01). Of course, I knew things could change along the way if I found something else that looked or worked better.

圖 01

 

鋪設(shè)線
Laying Down Lines
 

一旦我把線條畫下來,在一個單獨的圖層上,我在草圖圖層下面鋪上一層不同的顏色,以給自己一些啟發(fā)。我在腦海中形成了一個色彩范圍的基本計劃,我選擇了一種顏色作為背景,這與那個計劃一致。我制定的基本價值觀和顏色,但一段時間后我不喜歡她的位置,所以我畫了她臉。我喜歡在低透明度和分層的情況下保留部分草圖,因為我喜歡記錄所有東西放置的位置。當(dāng)我需要的時候,我也可以打開或關(guān)閉它。

 

Once I got my lines down, on a separate layer I put a layer of a different color underneath the sketch layer to give myself something to start with. I formed a basic plan of color range in my mind and I chose a color for the background that would go with that plan. I laid down the basic values and colors, but after a while I decided I didn't like the position she was in, so I painted her to face straight on. I like to keep parts of a sketch in low opacity and on separate layers as I like to keep track of where everything is placed. Also I can then toggle it on and off when I need it. 

 

當(dāng)我對她的定位感到滿意時,我就定下了頭發(fā)的位置。我用紅色/橙色使它與圖像的其他部分區(qū)分出來(圖02)。

 

Once I was happy with her positioning, I laid down the basics of the hair. I used red/orange to make it pop from the rest of the image (Fig.02).

圖 02

 

第一個細(xì)節(jié)
First Details

 

當(dāng)畫頭發(fā)時,我會用一層黑色的頭發(fā)來確定我的頭發(fā)形狀。 一旦我有了這一層,我選擇一個稍輕的顏色,一個較小的刷子,并給頭發(fā)布置大塊。 我使用軟筆刷,并將其設(shè)置在低透明度,以幫助淡化和混合。 一旦完成,我選擇一個輕一點的陰影,并使用稍小的筆刷。 在整個繪畫過程中,我始終把整個過程繼續(xù)下去,直到我認(rèn)為我已經(jīng)完成了所有的細(xì)節(jié)。如果我失去了一些較暗的區(qū)域,我就會回到暗色調(diào),并在圖像中添加一些陰影(圖03)。

 

When painting hair I lay down a dark layer to establish my basic hair shape. Once I have that layer I choose a slightly lighter color, a smaller brush and lay out chunks of hair. I use a soft brush and set it at a low opacity, to help fade and blend the ends out if they come across too harsh. Once that is done I pick a shade that's a bit lighter and use a slightly smaller brush. I keep this whole process up throughout the painting until I think I have it as detailed as I want it. If I lose some of the darker areas I go back in with the dark color and add some more shades back into the image (Fig.03).

圖 03

 

筆刷
Brushes

 

在這個階段,我添加了一些更多的基本顏色和形狀做頭發(fā)配件。 我也做了一些背景顏色和照明。我還在整個作品中添加了更多的顏色。 當(dāng)我的筆觸看起來有些過于粗糙時,我喜歡使用的一個小技巧就是使用中值來幫助他們更好地融合。 在這一點上,我還在決定是否讓她皺眉或微笑(圖04)。

 

In this stage I added some more basic colors and shapes for the accessories in her hair. I played a bit with the background color and lighting as well. I also added more colors throughout the piece. A little trick I like to use when my brush strokes are looking a little too rough, is to use median to help them blend a little better. At this point I was still deciding if I wanted her to be slighting frowning or slightly smiling (Fig.04).

圖04

 

我不斷地改變著她的臉,給這幅畫增添了更多的深度。我還在她的頭發(fā)和臉周圍形成了更多的基本形狀。我喜歡用定制的筆刷在我的作品中達(dá)到不同的效果,主要是在皮膚和背景中。另外,它們也很有趣。在這個階段,我增加了更多的斑點和斑點的紋理還有顏色,以增加更多的興趣;我還遮住了她眼睛的一些形狀(圖05)。

 

I was constantly changing her face and adding more depth to the piece. I was also forming more of the basic shapes in her hair and around her face. I like to make custom brushes to achieve different effects in my work, mostly on skin and in my backgrounds. Plus they are just fun to make. In this stage I added more splotches and spots of texture and colors to add more interest; I also blocked out a bit of her eye shapes as well (Fig.05).

圖 05

 

更多細(xì)節(jié)
 More Details

 

我喜歡在畫畫的時候跳著畫,所以現(xiàn)在我跳到頭發(fā)上去畫一些東西。 在這一點上,孔雀頭骨沒有多少顏色,但是我想我將會用一個顏色層和添加更多的顏色在整個圖像中。 我添加了一些肉桂棒,白孔雀羽毛,八角,還有一些更奇特的物品,來幫助你擺脫巫毒教的觀點。 然后,我繼續(xù)繪制背景,并決定保持簡單的風(fēng)格,因為角色有很多細(xì)節(jié)。 我決定添加一條淺色的線,以表明她身后還有一個光源(圖06-07)。

 

I like to skip around the painting, so now I jumped to painting out some of the objects in her hair. At this point the peacock skull didn't have many colors in it, but I figured I would go in with a color layer and add more colors throughout the whole image later. I added some cinnamon sticks, white peacock feathers, Star Anise, and some more strange items to help pull off the voodoo vibe. I then moved on to playing around with the background and decided to keep it simple since the main focus had so much detail. I decided to add a light colored line to give off the appearance that she has a light source behind her as well (Fig.06-07).

圖 06


圖07

 

我按照我的畫畫習(xí)慣在整幅畫上跳來跳去。 我在她的脖子上增加了一些紋理和陰影,看起來好像她有某種項鏈,但是我想讓它和她的皮膚融合在一起。 我不停地添加細(xì)節(jié),直到我終于完成(圖08)。

 

I kept up with my usual process of hopping around the whole painting. I added some texture and darkness to her neck to make it seem like she has some sort of choker on, however I wanted it to blend in with her skin. I kept adding details here and there until I thought I was finally finished (Fig.08).

圖 08

 

最后完成
 Final Touches

 

離開了一會兒后,我又回到了這張照片,我意識到我讓她的臉和膚色太過苛刻和死板了。 雖然我想要一個令人毛骨悚然的氛圍,我也希望她有一個甜美的外觀,所以我給她的皮膚添加了暖色,讓她的臉變得柔和一些,并在這里和那里增加了一些顏色。 我添加了另一個圖層設(shè)置為顏色層,并降低透明度。 然后我決定最后把這個作品完成(圖09)。

 

I came back to the image after leaving it for a while, to realize I had made her face and skin tone too harsh and dead. Although I wanted a creepy vibe I also wanted her to have a sweet look, so I added warmth to her skin, softened her face a bit, and added a few more colors here and there. I added another layer set to Color and applied the colors at low opacity so it wouldn't be so bold. Then I decided to finally call the piece finished (Fig.09).

圖 09

 

clarisse搭建3D天空之城拉普達(dá)全過程 clarisse搭建3D天空之城拉普達(dá)全過程

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