森林環(huán)境

Massimo Verona創(chuàng)造了一個(gè)令人毛骨悚然的森林場(chǎng)景，使用VUE形成不同的生態(tài)系統(tǒng)層…

This project will be at an intermediate level of difficulty, going through the creation of a creepy forest scene. You should be used to Vue's ecosystem scattering and atmosphere editor, which are the program's two most powerful tools. We will create the shape of the terrain for our scene and then populate it with an ecosystem. Afterwards we'll have a look at the atmosphere settings to give the scene our desired mood. Lastly, we'll set up custom render settings to render the scene.
這個(gè)項(xiàng)目將處于一個(gè)中等水平的難度，通過(guò)創(chuàng)建一個(gè)令人毛骨悚然的森林場(chǎng)景。你應(yīng)該使用Vue的生態(tài)系統(tǒng)散射和大氣編輯器，這是該項(xiàng)目的兩個(gè)最強(qiáng)大的工具。我們將為我們的場(chǎng)景創(chuàng)建地形的形狀，然后用生態(tài)系統(tǒng)填充地形。之后，我們將看看氣氛設(shè)置給場(chǎng)景我們想要的氣氛。最后，我們將設(shè)置自定義渲染設(shè)置來(lái)渲染場(chǎng)景。
In this scene, I wanted to give the feeling of being in a forest where you reach a clearing and find this old little house...
在這個(gè)場(chǎng)景中，我想給你一種感覺(jué)，在一個(gè)森林里，你找到這個(gè)老房子…

Step 01: Main terrain

In this first step, I start with an empty scene, adding the main terrain where the hut and camera will be. Choose standard terrain for the left icon bar, and set it to roughly 200m long and 200m wide. The height is not really relevant at this stage, since we'll sculpt the terrain to the shape we need.
在這第一步,我從一個(gè)空的場(chǎng)景開始,添加小屋的主要地形和相機(jī)。選擇左邊的圖標(biāo)欄的標(biāo)準(zhǔn)地形,將其設(shè)置為大約200米長(zhǎng),200米寬。高度是不相關(guān)的在這個(gè)階段,因?yàn)槲覀儗⑺茉煳覀冃枰�的地形形狀�?br>創(chuàng)建場(chǎng)景的主地形

Step 02: Preparing the terrain

Open the terrain editor by double-clicking on it. Inside the terrain editor, delete the terrain by clicking on the first icon in the top-left of the toolbar. This way we'll have an empty flat terrain which I can start sculpting to the desired shape in the next step.
通過(guò)雙擊打開地形編輯器。在地形編輯器,刪除地形通過(guò)點(diǎn)擊工具欄的第一個(gè)圖標(biāo)左上角。這樣我們會(huì)有一個(gè)空的平坦的地形,我可以開始雕刻在下一步所需的形狀。
準(zhǔn)備雕刻在下一步的地形

Step 03: Sculpting the terrain

In this step I begin to sculpt the terrain into the shape I have in mind: a small stream where the bridge will go over, and a little path that leads to the hut. For that, I raise the terrain resolution to 512 x 512 and start sculpting with the Raise tool. I raise the terrain to the height I need, leaving a free space for the stream.
在這一步我開始雕刻的地形形狀我想到:一條小溪,橋就會(huì)結(jié)束,和一個(gè)小路徑導(dǎo)致的小屋。為此,我提高地形分辨率512 x 512,開始雕刻與提高的工具。我提高地形高度需要,離開的自由空間流。
Afterwards, I invert the Raise tool to sculpt out the path. For this, I use very low flow values in the Global Settings tab. When I'm satisfied, I go to the Effects rollout and press Diffuse a few times to smoothen the terrain.
后來(lái)我轉(zhuǎn)化提高工具雕刻路徑。為此,我使用非常低的流值在全局設(shè)置選項(xiàng)卡。當(dāng)我滿意,我去推廣和媒體影響擴(kuò)散幾次平和地形。
雕刻的地形形狀我需要橋,小屋,小溪

Step 04: Texturing the terrain

To give the path a different material to the rest of the terrain, I use Vue's Paint Material option inside the Terrain Editor. I use a mapped texture downloaded for free from cgtextures.com for the entire terrain, but of course you can use whatever material you like best for this. After that, I double-click on the Terrain Editor again, and choose Paint Material from the Brush Preset rollout. I use this to paint along the path I sculpted earlier, just using the standard material that is applied to the brush when you select it. Again, you can use any material you like for this.
給的路徑不同材料的地形,我使用Vue的油漆材料選擇地形編輯器中。我使用一個(gè)映射紋理從cgtextures.com免費(fèi)下載整個(gè)地形,但是當(dāng)然,你可以使用任何材料你最喜歡。之后,我再次雙擊地形編輯器,并選擇油漆材料的畫筆預(yù)設(shè)推出。我用這個(gè)沿著路徑我之前雕刻畫,只使用標(biāo)準(zhǔn)的材料,應(yīng)用于刷當(dāng)您選擇它。同樣,您可以使用任何你喜歡的材料。
紋理的地形和繪畫的道路

Step 05: Adding the props

Now that I've finished the base for the scene where the main story will take part, I'm ready to add the props. For this scene, I use Ravyn's 'Bone Man's Hut' and 'Bridge to Redemption' available from Content Paradise, but other house and bridge objects are also available there.
現(xiàn)在,我已經(jīng)完成了基本的場(chǎng)景,主要將故事,我準(zhǔn)備添加道具。對(duì)于這個(gè)場(chǎng)景,我使用Ravyn的“骨人的小屋”和“橋救贖”可以從內(nèi)容的天堂,但其他房子和橋?qū)ο笠部梢浴?br>I position the bridge over the stream, where I sculpted the path earlier, and adjust it to the size needed to reach between the two sides. If necessary, go back to the Terrain Editor and sculpt the terrain some more to make the bridge fit. I also add the hut, positioning it so that I can see the entrance; I decide a three-quarter view of the hut looks best for my scene.
我位置的小橋,我之前雕刻路徑,并調(diào)整達(dá)到雙方所需的大小。如果有必要,回到地形編輯器和雕刻地形一些橋梁健康。我也添加小屋,定位它,這樣我可以看到入口;我決定一個(gè)半截的小屋看起來(lái)最適合我的場(chǎng)景。
添加道具將現(xiàn)場(chǎng)的主要焦點(diǎn)

Step 06: Duplicating the terrain

Now I need to add more depth to the scene. For this, I just duplicate the main terrain and flip it 180度, positioning it to get a continuing stream. I duplicate and flip it 180度 again, once more positioning it to get a longer stream. When I'm satisfied with the position, I simply group the terrains together and use the main terrain material to delete the extra path material, since we don't need it back there. We won't see much of these terrains, but we need them to get the illusion of depth for our scene.
現(xiàn)在我需要添加更多的深度。為此,我只是復(fù)制的主要地形和翻轉(zhuǎn)180度,定位它繼續(xù)流。我再次重復(fù),翻轉(zhuǎn)180度,再次定位不再流。當(dāng)我滿意的位置,我只是地形的分組和使用的主要地形資料刪除額外的道路材料,因?yàn)槲覀儾恍枰�它。我們不�?huì)看到太多這樣的地形,但我們需要他們?yōu)槲覀兊膱?chǎng)景深度的幻覺(jué)。
復(fù)制的地形來(lái)獲得更多的深度

Step 07: Adding the surrounding terrains

To fill up the scene and get the desired effect of being in a forest, I need to add more terrains, surrounding my main terrain. For this, I just create a standard terrain the length of almost all three existing terrains. In the Terrain Editor, I delete all the detail from the terrain by clicking on the first top-left icon, and then use the Raise tool to sculpt is as shown in the screenshot. Feel free to sculpt it to fit your needs for the scene.
填補(bǔ)現(xiàn)場(chǎng),獲得想要的效果的一片森林,我需要添加更多的地形,周圍我的主要地形。為此,我只是創(chuàng)建一個(gè)標(biāo)準(zhǔn)地形的長(zhǎng)度幾乎所有三個(gè)現(xiàn)有的地形。在地形編輯器,我刪除所有地形的細(xì)節(jié)通過(guò)點(diǎn)擊第一個(gè)左上的圖標(biāo),然后使用提高工具雕刻如截圖所示。隨意雕刻它為現(xiàn)場(chǎng)滿足您的需要。
開始添加周圍的地形來(lái)填滿

Step 08: Positioning the new terrains

Now, to make my life easier without sculpting two new terrains, I again duplicate this new terrain two times, positioning them as shown on the screen grab. I group the terrains again and assign the same material as for the other terrains, just deleting the path material where it no longer fits. The purpose of this terrain is to give me the space to populate an ecosystem on them, so I get the feeling of being in a dense forest surrounding the small clearing which is the main focus.
現(xiàn)在，更沒(méi)有雕刻了兩個(gè)新的地形，使我的生活，我再次重復(fù)這一新領(lǐng)域的兩倍，他們的定位在屏幕截圖顯示。我組的地形又分配相同的材料作為其他地形，只是刪除，它不再適合道路材料。這個(gè)地形的目的是給我空間來(lái)填充他們的生態(tài)系統(tǒng)，所以我覺(jué)得在一個(gè)茂密的森林周圍的小清理，這是主要的焦點(diǎn)。
定位新創(chuàng)建的地形場(chǎng)景內(nèi)的最終組成

Step 09: Water plane

The water I need for the stream will just be a simple cube. You can use the numbers for the size shown in the screen grab, but if you have made a scene with different sizes, just make it fit to your scene.
我需要的水流只是一個(gè)簡(jiǎn)單的立方體。你可以使用屏幕上顯示的大小的數(shù)字，但如果你做了一個(gè)不同大小的場(chǎng)景，只是使它適合你的場(chǎng)景。
For the material, I use a standard water material with no physical transparency, since that will take much longer to render and I don't need physical transparency here. I change the fade-out color to a greenish brown and make it 135% murky. Since I have quite a low-positioned camera, I increase the Turn Reflective with Angle to 77% to make it a bit more reflective.
對(duì)于材料，我使用一個(gè)標(biāo)準(zhǔn)的水材料沒(méi)有物理透明度，因?yàn)檫@將需要更長(zhǎng)的時(shí)間來(lái)渲染，我不需要物理透明在這里。我改變褪色的顏色，以綠色的棕色，使它135%黑暗。由于我有一個(gè)相當(dāng)?shù)偷亩ㄎ幌鄼C(jī)，我增加了轉(zhuǎn)角反射角度為77%，使其有點(diǎn)反射。
Note: if you use the photometric spectral atmosphere model as I do here, you also need to set the color of the water in the Color & Alpha tab to a brownish color!
注：如果你使用的光度光譜大氣模型，我在這里做，你還需要設(shè)置水的顏色在顏色和阿爾法標(biāo)簽，以褐色的顏色！
為小溪?jiǎng)?chuàng)造水平面