“小鬼”的崩潰

我將解釋我的主要過(guò)程，開(kāi)始收集參考，通過(guò)最后的建模。希望你覺(jué)得有用。
In this breakdown I will explain my main processes behind making this project; starting with gathering references through to the final modeling. I hope you find it helpful.

References

I always start my personal projects by finding as many reference as possible to guide me, even if I already have a concept in my head. To get a good likeness it is very important that you take the time to do research, you need a lot of different angles of your subject. I settled on making Tyrion Lannister from Game of Thrones as played by Peter Dinklage.
開(kāi)始這個(gè)項(xiàng)目通過(guò)尋找盡可能多的參考，即使我已經(jīng)有一個(gè)概念在我的頭。為了得到一個(gè)很好的設(shè)計(jì)是非常重要的,你花時(shí)間去做研究,你需要很多不同的角度審視你的主題。所以我選定了蘭尼斯特泰瑞歐從權(quán)力的游戲彼得Dinklage。
收集參考文獻(xiàn)是一個(gè)重要的過(guò)程的一部分

Modeling

After gathering the reference images and source materials it was time to start modeling the whole thing. In ZBrush I start by doing a proxy which is useful to get the proportions of the character, with that done I moved on to refining the model. I like to start with the face because this is the main part which really reflects the characters; this is also where good research pays off! With head done I moved on to making the clothes and armor.
收集參考圖片和材料后是時(shí)候開(kāi)始建模了。在ZBrush中我先做一個(gè)代理是有用的人物的比例,然后我繼續(xù)細(xì)化模型。我喜歡從臉開(kāi)始,因?yàn)檫@是真正反映了人物的主要部分,這也是好的研究得到回報(bào)的地方！我做了頭做衣服和盔甲。
從一張普通的臉到一幅逼真的肖像
完成身體雕刻

Clothes and Armor

I like to make cloths in ZBrush and Marvelous Designer ? which is an awesome clothing simulator. Once the clothes are finished in Marvelous, I export it back to ZBrush to work on refining things and adding details. I used a variety of sculpting techniques and brushes to get the detailed textures on the armor, including the Standard brush and Ryan Kingslien's alphas. I like to open the UVs after I think the modeling is done to get them ready for the next step, texturing.
我在喜歡用ZBrush和 Marvelous Designer的布料來(lái)制作？這是一個(gè)很棒的衣服模擬器。一次不可思議的衣服完成,我出口工作回到ZBrush提煉和添加細(xì)節(jié)。我用各種各樣的雕刻技術(shù)和刷子盔甲上的紋理細(xì)節(jié),包括標(biāo)準(zhǔn)筆刷和瑞安Kingslien阿爾法。我喜歡打開(kāi)uv建模完成后我想讓他們準(zhǔn)備好下一步,紋理。
使用Marvelous Designer軟件創(chuàng)建衣服

完成的衣服和盔甲
手和縫合細(xì)節(jié)
刺繡和針詳細(xì)

Map extractions, Texturing

After the sculpting was done I started extracting the maps I needed to help with painting the textures in Photoshop. I created AO maps to guide me, also Displacement maps, Normal maps and Cavity maps. I like to do this in different layers including the Base color, pattern texture, dirty, scratches and wear.
雕刻完成后我開(kāi)始提取我需要的圖案在Photoshop中。我創(chuàng)建AO地圖來(lái)指導(dǎo)我，還有位移貼圖，法線貼圖和空洞貼圖。我喜歡用不同的圖層來(lái)做，包括底色，圖案紋理，臟，劃痕和磨損。
紋理

Grooming

For grooming I like to use Ornatrix for 3ds Max. I make the base style with Ornatrix brushes, after converting and adjusting the curves and I finalize using multiple Ornatrix hair systems.
打扮我喜歡使用ornatrix為3ds Max我刷使基地ornatrix風(fēng)格轉(zhuǎn)換和調(diào)整曲線和我確定使用多個(gè)ornatrix頭發(fā)系統(tǒng)后。

Light and render

For lighting I like to use three point lights and one HDRi. My Render settings are very simple.
照明我喜歡用三個(gè)點(diǎn)光源和一個(gè)HDRi。我的渲染設(shè)置非常簡(jiǎn)單
照明設(shè)置
渲染設(shè)置
照明的結(jié)果